Tom Smiley signed up as a private in the Confederate army when he was eighteen and quickly came to regret it. Spending the last year of the war in a Union prison scarred him so deeply that even death hasn't brought freedom from its memory. A ghost in his deserted childhood home, he can’t forget the bloody war and its meaningless losses, or shed his revulsion for his role in the Confederate defense of slavery. But when a young couple moves in and makes his home their own in the early 21st century, trouble erupts—and Tom is forced to not only face his own terrible secret but also come to grips with his family’s hidden wartime history. He finds an unexpected ally in his house’s new owner, Phoebe Hunter, who is both fascinated and frightened by his ghostly presence—and whose discoveries will have momentous consequences for them both.

All it takes to unravel a life is one little secret… Marin had the perfect life. Married to her college sweetheart, she owns a chain of upscale hair salons, and Derek runs his own company. They’re admired in their community and are a loving family—until their world falls apart the day their son Sebastian is taken. A year later, Marin is a shadow of herself. The FBI search has gone cold. The publicity has faded. She and her husband rarely speak. She hires a P.I. to pick up where the police left off, but instead of finding Sebastian, she learns that Derek is having an affair with a younger woman. This discovery sparks Marin back to life. She’s lost her son; she’s not about to lose her husband, too. Kenzie is an enemy with a face, which means this is a problem Marin can fix. Permanently.

When the world is erupting in violence and chaos, something is out of balance—and what is needed is the return of the exiled Shekinah, the feminine aspect of the divine. Shekinah’s compassion for our planet’s suffering compels Her to attempt a mission of return, but She needs the help of others. Set in Eastern Europe in the first half of the twentieth century and culminating in Israel and Palestine, Light Radiance Splendor follows three generations of fiercely devoted mission keepers as they grapple with loss of faith, betrayal, and forgiveness, as well as the decoding of an elusive manuscript. Will the mission succeed? Will Shekinah return to heal a fractured world—or are we beyond saving?   

“Hilarious, suspenseful, and whip smart.” ―Cynthia D’Aprix Sweeney From Grant Ginder, the author of The People We Hate at the Wedding, comes Let’s Not Do That Again a poignant, funny, and slyly beguiling novel which proves that, like democracy, family is a messy and fragile thing ―perfect for fans of Veep’s biting humor, the family drama of Succession, and the joys of Kevin Wilson’s Nothing to See Here. Nancy Harrison is running for Senate, and she’s going to win, goddamnit. Not that that’s her slogan, although it could be. She’s said all the right things. Passed all the right legislation. Chapped her lips kissing babies. There’s just one problem: her grown children. Greta and Nick Harrison are adrift. Nick is floundering in his attempts to write a musical about the life of Joan Didion (called Hello to All That!). And then there’s his little sister Greta. Smart, pretty, and completely unmotivated, allowing her life to pass her by like the shoppers at the Apple store where she works. One morning the world wakes up not to Nancy making headlines, but her daughter, Greta. She’s in Paris. With extremist protestors. Throwing a bottle of champagne through a beloved bistro’s front window. In order to save her campaign, not to mention her daughter, Nancy and Nick must find Greta before it’s too late.

For fans of Tod Goldberg and Tim O’Brien, this debut contemporary noir follows a burned-out tech entrepreneur into the Wild West of California cannabis and the converging worlds of contraband weed and illegal immigration. There are only two reasons to take a left on Rancho: cannabis and immigration. October 2019. Adelanto, a desolate outpost in the Mojave Desert. Andrew Eastman, a tech entrepreneur with a bank account running on fumes, rides into town to help an old friend. The ask: turn around a fledgling legal weed operation in the California High Desert, where a dead “desert walker” is just another day in Adelanto, according to the local sheriff. Where coyotes “help” migrants escape from the ICE detention center nearby as protests ignite around it. Where no one cares about illegal marijuana because the pie’s big enough for everyone. Andrew, the outsider, asks too many questions—the viability of the legal market, cannabis’s social impact, inoperative surveillance cameras in the factory, and the dominance of the illegal trade. An illegal trade run by unscrupulous actors. On a hunt for contraband that’s based on a stolen formulation, Andrew journeys from Adelanto to West Hollywood to the underbelly of Los Angeles, until he lands at the intersection of cannabis and immigration. Bodies pile up around him. And when tragedy strikes, Andrew’s left with one last decision, one that will forever change him.

A nostalgic tale of first love, first loss, and the budding womanhood of a black girl in the 90s. Tragedy flips Amore Brown’s world on its axis before she heads off to college. Having to sit tight for the summer, she chooses Jersey City, New Jersey – the home of her estranged father – to pass time. Here in urban grit, a stark contrast from the comfort of the suburbia, she reconnects with a long-lost cousin for some final months of summer excursions, enrooting, and evolving. But it could never be so simple – even if it were all so simple then. Girls just want to have fun transforms into a kindling of summer romance tucked into the crust of good times, tribulations, close calls, and one hot summer in Jersey. Amore meets THE guy, finds solace for fresh wounds, and battles the thorny relationship with her father; all while learning heartache has no limits. But how much will Amore have to lose to find herself? On the road to the woman she’s becoming and removed from the girl she is no more; one stop changes her path forever. Last Stop from Innocence should really ‘shake the table’ for some people, because it’s a real moment, it’s genuine raw emotions with the grit and the grime…that dust that people don’t know if they are really seeing. It’s there and it’s coating the skin in such a way that all you desire is a good tub of hot water and soap, just to get it off of you, and scrub until you wash the layers off, piece by irritating piece. The manipulation of Takerra’s innate creativity stuns the foe as well as the fan, she always brings that forgotten card to the game and trust and believe that captivation is a given with each new TA Production. “It’s not games, baby. It’s art. The art of love and war.” – Tamela

Psychologist and police consultant Dr. Pepper Hunt, struggling to deal with the murder of her husband, leaves the private practice they shared and relocates to Wyoming. There, in the stark landscape of the high desert, there is nothing to remind her of everything she lost and left behind. Then her new patient, Kimi Benally, goes missing in a Wyoming blizzard after her last therapy session—making Pepper the last person to see her. She knows the secrets Kimi shared in therapy hold clues to her mysterious disappearance, and she joins forces with Detective Beau Antelope to try to discover what’s happened to her. But as she follows the trail of Kimi’s obsession with the past, Pepper begins to fear the worst for her missing patient—and her own haunted memories surface.   

Once you’ve experienced the devastation of fracking, nothing but stopping it makes sense. After a year of well site visits and protests, four college student activists become determined to protect the people and the places they love.

In the river-crossed northwoods of Michigan, Kate, Brett, Sonya, and Mark, mentored by their former professor Rebecca, keep watch as North American Energy (NorA) connects a corridor of frack well sites deep in the state forests. When NorA expands in unexpected directions and their awful, bigger plan becomes clear, the action begins. As grassroots activists gather and prepare to stop NorA’s dangerous superfrac, stresses other than the fracturing of the bedrock appear. Sonya is arrested, Rebecca reveals her hidden past, and the one person who knows both women’s stories arrives in camp. Love and solidarity want to win, even if most showdowns with Big Oil don’t end well for those who take a stand. Suspenseful, poignant, and galvanizing, Land Marks is a tribute to the waterways that connect us, the land that sustains us, and the moments that inspire us to rise up together to say, “No more!”

NPR Book of the Year 2020 Electric Literature: One of 55 Books by Women and Nonbinary Writers of Color to Read in 2020 |  Lit Hub & The Millions: Most Anticipated Books of 2020 | Ms. Magazine: Anticipated 2020 Feminist Books | Refinery29: Books by Black Women We are Looking Forward To Reading | One of The Millions’ Most Anticipated Reads of 2020 | Amazon Book of the Month Pick | Audible Editor’s Pick | Essence’s Pick| Glamour’s Must Read | Ms. Magazine’s Anticipated Read of 2020  A startling debut about class and race, Lakewood evokes a terrifying world of medical experimentation—part The Handmaid’s Tale, part The Immortal Life of Henrietta Lacks. When Lena Johnson’s beloved grandmother dies, and the full extent of the family debt is revealed, the black millennial drops out of college to support her family and takes a job in the mysterious and remote town of Lakewood, Michigan. On paper, her new job is too good to be true. High paying. No out of pocket medical expenses. A free place to live. All Lena has to do is participate in a secret program—and lie to her friends and family about the research being done in Lakewood. An eye drop that makes brown eyes blue, a medication that could be a cure for dementia, golden pills promised to make all bad thoughts go away. The discoveries made in Lakewood, Lena is told, will change the world—but the consequences for the subjects involved could be devastating. As the truths of the program reveal themselves, Lena learns how much she’s willing to sacrifice for the sake of her family. Provocative and thrilling, Lakewood is a breathtaking novel that takes an unflinching look at the moral dilemmas many working-class families face, and the horror that has been forced on black bodies in the name of science.

It is May 2014, and Dr. Klara Lieberman—forty-nine, single, professor of archaeology at a small liberal arts college in Maine, a contained person living a contained life—has just received a letter from her estranged mother, Bessie, that will dramatically change her life. Her father, she learns—the man who has been absent from her life for the last forty-three years, and about whom she has long been desperate for information—is dead. Has been for many years, in fact, which Bessie clearly knew. But now the Polish government is giving financial reparations for land it stole from its Jewish citizens during WWII, and Bessie wants the money. Klara has little interest in the money—but she does want answers about her father. She flies to Warsaw, determined to learn more. In Poland, Klara begins to piece together her father’s, and her own, story. She also connects with extended family, begins a romantic relationship, and discovers her calling: repairing the hundreds of forgotten, and mostly destroyed, pre-War Jewish cemeteries in Poland. Along the way, she becomes a more integrated, embodied, and interpersonally connected individual—one with the tools to make peace with her past and, for the first time in her life, build purposefully toward a bigger future.