"A beautifully written novel that puts language at the heart of remembering the past and understanding the present."―Kate Morton “A groundbreaking novel for black and white Australia.”―Richard Flanagan, Man Booker Prize winning author of The Narrow Road to the Deep North A young Australian woman searches for her grandfather's dictionary, the key to halting a mining company from destroying her family's home and ancestral land in this exquisitely written, heartbreaking, yet hopeful novel of culture, language, tradition, suffering, and empowerment in the tradition of Louise Erdrich, Sandra Cisneros, and Amy Harmon.  Knowing that he will soon die, Albert “Poppy” Gondiwindi has one final task he must fulfill. A member of the indigenous Wiradjuri tribe, he has spent his adult life in Prosperous House and the town of Massacre Plains, a small enclave on the banks of the Murrumby River. Before he takes his last breath, Poppy is determined to pass on the language of his people, the traditions of his ancestors, and everything that was ever remembered by those who came before him. The land itself aids him; he finds the words on the wind. After his passing, Poppy’s granddaughter, August, returns home from Europe, where she has lived the past ten years, to attend his burial. Her overwhelming grief is compounded by the pain, anger, and sadness of memory―of growing up in poverty before her mother’s incarceration, of the racism she and her people endured, of the mysterious disappearance of her sister when they were children; an event that has haunted her and changed her life. Her homecoming is bittersweet as she confronts the love of her kin and news that Prosperous is to be repossessed by a mining company. Determined to make amends and honor Poppy and her family, she vows to save their land―a quest guided by the voice of her grandfather that leads into the past, the stories of her people, the secrets of the river. Told in three masterfully woven narratives, The Yield is a celebration of language and an exploration of what makes a place "home." A story of a people and a culture dispossessed, it is also a joyful reminder of what once was and what endures―a powerful reclaiming of Indigenous language, storytelling, and identity, that offers hope for the future.

An critically-acclaimed Iranian author makes his American literary debut with this powerful and harrowing psychological portrait of modern Iran—an unprecedented and urgent work of fiction with echoes of The Stranger, 1984, and The Orphan Master’s Son—that exposes the oppressive and corrosive power of the state to bend individual lives. Yunus Turabi, a bus driver in Tehran, leads an unremarkable life. A solitary man since the unexpected deaths of his father and mother years ago, he is decidedly apolitical—even during the driver’s strike and its bloody end. But everyone has their breaking point, and Yunus has reached his. Handcuffed and blindfolded, he is taken to the infamous Evin prison for political dissidents. Inside this stark, strangely ordered world, his fate becomes entwined with Hajj Saeed, his personal interrogator. The two develop a disturbing yet interdependent relationship, with each playing his assigned role in a high stakes psychological game of cat and mouse, where Yunus endures a mind-bending cycle of solitary confinement and interrogation. In their startlingly intimate exchanges, Yunus’s life begins to unfold—from his childhood memories growing up in a freer Iran to his heartbreaking betrayal of his only friend. As Yunus struggles to hold on to his sanity and evade Saeed’s increasingly undeniable accusations, he must eventually make an impossible choice: continue fighting or submit to the system of lies upholding Iran’s power. Gripping, startling, and masterfully told, Then the Fish Swallowed Him is a haunting story of life under despotism.

Set in the fictional California town of San Encanto–a place where suburban angst coexists with the astonishing–a lonely wife finds her oppressive husband has become a dirigible who follows her from the sky, a neglected boy spends his summer unwinding a parasitic Guinea worm from his little sister’s belly, and an aspiring life coach attends a self-actualization seminar that goes wildly off the rails. In THINGS I WANT BACK FROM YOU, Elizabeth Stix’s hilarious and poignant debut of 20 linked stories, hopelessly flawed characters flail against their own insecurities, seeking one true moment of connection, and if they’re lucky, winning that rarest of gifts–a second chance. “Funny and poignant, this collection will resonate with any reader who has felt trapped by something inexplicable, what Stix calls ‘the fishbowl of our circumstance.’ She takes on love, alienation, betrayal, and recriminations with wit and wisdom, and a generosity of spirit. Her tight cast of characters is frequently smothered by longing, doubt, and sometimes each other in a California landscape that shimmers with possibilities just out of reach. Elizabeth Stix is a true bard of modern life.”–Elizabeth Gonzalez James, author of The Bullet Swallower and Mona at Sea “Elizabeth Stix’s THINGS I WANT BACK FROM YOU is charming and inventive. By turns hilarious and heartbreaking, the interlinked collection of stories–set in and around the Bay Area suburb of San Encanto–features achingly alive characters who yearn for connection. An enchanting debut.”–Vanessa Hua, author of Forbidden City “With sharpness and ease, Elizabeth Stix shows us how the short story, above all literary forms, can deliver an explosion of meaning and feeling. Neighbors, co-workers, families and friends mess up and carry on in stories of poignancy and humor that disturb and delight. An affirmation of the absurdity of life and the steadying power of love.”–Kathryn Ma, author of The Chinese Groove