SOON TO BE A STREAMING ORIGINAL MOVIE! All she wants for Christmas is a rejection. Chloe Hollis is done being a people-pleaser. After one too many bad decisions--including a job that asked her to cross a line she couldn't--she's determined to change. Her plan? Collect ten nos before Christmas by asking strangers for the most ridiculous favors she can think of. It should be easy. But then? Then she meets James. Instead of shutting her down, the charming out-of-towner keeps saying yes--to Christmas karaoke, to small-town holiday traditions, to every spontaneous, hilarious, totally chaotic idea she throws his way. And the more he says yes, the harder it becomes for Chloe to stick to her plan . . . or protect her heart. Because James has a reason for saying yes to everything, too--and it might cost them both more than they bargained for. As their opposite missions collide in a swirl of festive mishaps, unexpected courage, and undeniable chemistry, Chloe starts to wonder if the biggest risk isn't rejection after all . . . but saying yes to something real.

A vengeful divorcée lures her husband’s mistress into a trap in a riveting psychological thriller about deception, manipulation, and the dark side of relationships by a USA Today bestselling author. Bonjour, Miss Berry. I follow you… Ensconced in a fabulous apartment overlooking the Eiffel Tower, Cécile Duval is anxious for a postdivorce makeover. Who is Nina Berry, an on-the-rise personal stylist in America, to say no to a career-making proposal from an older, wealthy étranger? Except Cécile has secrets. She already knows Nina. Nina was her husband’s mistress, or so she believes. And Cécile doesn’t want a glow-up. She wants revenge. Arriving in Paris with her fiancé, Jean, Nina is ready to absorb all the city has to offer and transform her new client’s closet, confidence, and entire life. She even tries to set Cécile up with a handsome man her age. Shopping together, working out together, and getting closer, they’re almost like friends. But Nina has no idea what’s coming. Neither does Cécile. Because she’s not the only one keeping secrets. As the line between predator and prey disappears, a guessing game of deadly deceptions has only just begun.

For fans of Ann Patchett, a layered, multigenerational family novel about three sisters carrying on the legacy of their family’s pearl farm in small-town Tennessee. Three estranged sisters—Helen, Anna, and Penn Lockshire—are bound by the shimmering but fragile legacy of their family’s freshwater pearl farm in rural Tennessee. When the business that once made them famous faces collapse, the sisters are pulled back into each other’s lives and forced to reckon with old betrayals, unspoken resentments, and the complicated truth of their inheritance. Soon, what began as a fight for survival becomes a reckoning with the myths that shaped them and the secrets buried in the family’s past. From the discovery of a rare pearl in 1981 to the struggles of a failing farm in 2008, the Lockshire sisters must navigate love, loss, ambition, and forgiveness to decide whether their heritage is a blessing to preserve—or a burden to escape. Rich with emotional depth and anchored by the pearl’s enduring symbolism—a thing of beauty born from irritation—this sweeping story of family, identity, and resilience will captivate readers of Celeste Ng and Claire Lombardo.

During the winter of 1950 in the small Cotswold village of Great Rollright, amateur sleuth Gemma Brown starts to suspect that the town’s best baker, Ursula Beurton, is a Soviet spy, tumbling her headlong into a dangerous game of cat-and-mouse that ends with a decision that will lead her to the Undercover Bookshop and change her life forever. Recently moved to the English Cotswolds, Gemma Brown desperately wants to create the kind of idyllic life she’s read about in her favorite mystery novels, with herself as the leading lady. But fitting in proves difficult as Gemma is more adept at solving mysteries and setting up the village’s first bookstore than she is at baking cakes or grasping social niceties. Nevertheless, she finds a friend in Peggy, a young woman recently moved to town herself, and Ursula Beurton, who is not only the village’s best baker but an enigmatic figure who sparks controversy in the small-town gossip network. As Gemma spends more time with Ursula, she begins to suspect all those novels are affecting her thinking. The oddities she starts to notice must be her imagination because, if not, they point to something far more dangerous than winning the local baking contest or being placed on the church committee. Could her neighbor be a real spy? Following her instincts and a few skills learned through fiction, Gemma soon becomes embroiled in an international intrigue involving the village’s mysterious benefactor, Lady Marchmont, MI5, and the KGB. In an unexpected twist, however, Ursula asks Gemma for a favor which may endanger all their lives as their next chapter unfolds in Gemma’s new venture, the Undercover Bookshop.

Chronicling the struggles and successes of five pole dancers, the club owner they work for, and their mothers, this debut novel-in-stories delves into the profound impact of intergenerational trauma on families striving to create meaningful lives. The Red Barn, a pole dancing venue on the outskirts of Easton, Pennsylvania, is co-owned by Eddie and Victoria. Like the other dancers—GB, who is courageous and nonbinary; Marie, who struggles with depression; Violet, who is manifesting her dream; and Celeste, who grapples with religion and body image—Eddie and Victoria have been shaped by their mothers’ secrets and fears. These mothers suffered from domestic abuse, mental illness, and addiction, yet their only concern was to create a safe, stable home life for their children. Spanning the 1940s through the 1980s, these fourteen interconnected stories about these mothers and their children explore how intergenerational conflicts are confronted and resolved. Each story features the emotional and embodied journey of one character, and together they form a larger narrative about how individual identity and community intersect in the aftermath of trauma and betrayal. Ultimately, the Red Barn family realizes that risk-taking is not only possible but necessary, and that obstacles, no matter how heavy, don’t have to bury us. Struggle is part of life, but it doesn’t define us. What matters is trusting our own organic process of becoming who we truly are, at any age.

Matilda loves logic and order, and now her structured world is falling apart—in a bookstore. Former economics major Matilda is moving back to her hometown of Washington D.C. to care for her ailing mother, and she’s desperate for money. She takes a job at her neighborhood bookstore and tries, in vain, to make sense of illogical business of books. To make things worse, she’s forced to team up with a new hire—the enigmatic, flaky, larger-than-life, Sage—who shows up on her first day of work with zero administrative skills and her tiny, puffy, incessantly urinating dog that resembles an underfed rat. Something in the chaos begins to remind Matilda of her long-neglected creative side, and she starts to rediscover the person she once was before so much got in the way. But things get even more unmanageable when Matilda and Sage are tasked with putting together an event for the reclusive and controversial Dr. Jordan Rutabaga, a windbag of a public intellectual with a cult following that includes a number of people who would like to literally and figuratively see him dead. Rutabaga has a long list of alleged misdeeds, from plagiarism to failure to pay child support to stiffing the nanny. As the event date approaches, Matilda and Sage discover that Sage and Rutabaga have their own not uncomplicated past, adding yet another person to list of people who do not wish him well. Add in a lawsuit and an impending snowstorm along with the potentially sinister presence of Rutabaga himself, and Matilda is about to come undone. Bestselling author Susan Coll’s gastric, bookish, laugh-out-loud comedy of manners reminds us that sometimes things have to completely fall apart for them to perfectly come together.

Instead of growing closer over the years, sisters-in-law Giselle, Kamryn, Chanel, and Taylor are more distant than ever. After almost a decade of marriage, Giselle is still childless, with the pangs of jealousy and feelings of inadequacy mounting each day. Kamryn loves her husband’s family, but she and Giselle have never gotten along, and she’s tired of always trying to keep the peace. Newly married Chanel is ecstatic to finally have the family she’s craved all her life, but the ongoing feud between her two sisters-in-law threatens that harmony. Meanwhile, Taylor is still trying to find her place in the family after a tragic and unexpected turn in her relationship. As everything comes to a head during a weeklong anniversary celebration, the truth could tear them apart forever…or bring them together as the sisters they were meant to be.

In 1912 aboard the RMS Titanic, Nabiha “Bea” Nohra is traveling to America to find work, eager to earn the funds necessary to afford passage for the family she left in Lebanon. On the same ship, heiress Marguerite Ashby sails home to celebrate her engagement to a dull British lord, a marriage that will secure her new-money family’s place in old New York society. But when the Titanic sinks, the two women’s paths are fused together when Bea saves Marguerite’s life and they are unexpectedly charged with the smallest survivor—a baby boy. No one claims the infant, so the women form a committee to aid survivors and locate the baby’s next of kin. Bea works as the child’s nanny, desperate to bring her family to America before the difficulties in Lebanon overwhelm them. Meanwhile Marguerite hopes the committee’s charitable efforts will win society’s respect and render an advantageous marriage unnecessary, sparing her from marrying a man she does not love—unless her parents force her to fulfill the obligation no matter what society says. And when finding the child’s relatives proves to be no simple task, the women are soon enmeshed in deception and uncertainty as they seek to determine where the baby truly belongs. The committee might grant the acceptance Marguerite craves, connect Bea with the stability she needs, and lead them to the baby’s relatives. But a committee helmed by an American heiress and a Lebanese nanny is hardly customary. Surviving a shipwreck is only the start. As Marguerite’s wedding looms nearer and Bea faces the increasing hardships of adjusting to her new country, they must fight for survival once more. This time, to survive New York society.