She’s always wanted a sense of belonging. The last place she expects to find it is home. Vale Lightner’s dreams turn to ash when the Pittsburgh bar she owns goes up in flames. Just like the past she escaped, very little seems salvageable. Facing unavoidable change, Vale returns to her hometown of Philadelphia to stay with her grandmother. She knows that returning also means facing everything she left behind: a mother and stepfather who shunted her into the background from the day they married, and her charmed and favored half sister, Blythe, who has abandoned a perfect marriage and is now at a crossroads of her own. Everyone has their secrets, and this reunited family racked by them is about to reach a crisis point. For a mother and her two daughters, this reunion is a chance for closure, newfound love, and forgiveness. As each of them reassesses her own memories of the past, only the truth can bring them together―in ways that could last forever. From the bestselling author of The Passing Storm comes a poignant novel about family secrets, healing, and the hope of second chances.

Set in the punk-rock scene of the early 2000s and vibrating with the intense ache of bad choices and deep longing, a needle-sharp portrait of a young woman and how far she’ll go to find acceptance Kat is dying to be accepted by the North Carolina punks; she is totally desperate to seem cool. At a punk show, she ends up backstage with a rock star and gets noticed by a photojournalist. And then—a dream come true for Kat—her reputation as a groupie icon skyrockets. But to maintain this notoriety, Kat makes a series of devastating choices, and soon enough, she becomes unrecognizable to herself and others. Tea Hacic-Vlahovic’s A Cigarette Lit Backwards is a sometimes funny, often brutally honest novel about ambition and self-discovery and how a world of glamour and cool exerts its bold and breathless pull. In prose that seduces, glitters, and exhilarates, Tea Hacic-Vlahovic has written a novel that is both a wild party and a somber reckoning, consolidating her status as a thrilling and essential new voice for our time.

Andrea Hoffman is an overeducated, underemployed, and unmotivated recent college graduate—until an unexpected robbery blasts her out of her funk and into a job in the finance world of early-1980s Chicago. At first, it seems like a bad fit. But the world of finance has its own weird charm, and she grows increasingly fascinated by the strange language of trading, the complexity of the stock market, and her colleagues, who navigate it all with a ruthless confidence. Even though she has two strikes against her—Jewish and female—Andrea’s quick wit and strong work ethic propel her into an actual sales job and her career takes off. But this is the Wall Street of the eighties, and along with making a lot more money, Andrea adopts a new, fast life of cocktails, cocaine, and casual sex. Drunk on her achievements, she gradually realizes that at some point, she’s going to have to decide what success really means to her.

Art historian Cate Adamson, still grieving the death of her brother and desperate to succeed, leaves her troubled parents in the Midwest to complete her doctorate in New York—only to find herself assigned to a misogynist advisor. She attempts to impress him until discovers a hidden painting, possibly a Baroque masterpiece, in the university basement — Risking her career, financial disaster, and further alienation from her family— she flees to Spain with the painting to consult art experts. Antonio, an impoverished duke, clings to the decaying legacy of the House of Olivares. When he meets Cate on the train to Seville, he joins her search, and together they uncover evidence in his five hundred-year old library to support the painting’s provenance including a document about the artist’s final years that will shock the titans of art history. But Cate vacillates about revealing the truth, fearful that it may destroy her career, her family’s expectations, and her future with Antonio. Written with vivid prose, rich references to seventeenth century Spanish art, compelling characters and a historical puzzle, Attribution is the story of one contemporary woman’s journey to understand the past—and unlock her future.

A National Indie Bestseller A New Yorker Best Book of the Year A New York Times Book Review Editor’s Choice “Dazzling.” ―Maureen Corrigan, NPR’s Fresh Air “Uncanny and haunting . . . Genius.” ―Michele Filgate, The Washington Post What happens when fantasy tears the screen of the everyday to wake us up? Could that waking be our end? In Bliss Montage, Ling Ma brings us eight wildly different tales of people making their way through the madness and reality of our collective delusions: love and loneliness, connection and possession, friendship, motherhood, the idea of home. A woman lives in a house with all her ex-boyfriends. A toxic friendship grows up around a drug that makes you invisible. An ancient ritual might heal you of anything―if you bury yourself alive. These and other scenarios investigate the ways that the outlandish and the ordinary are shockingly, deceptively, heartbreakingly alike.

A brutal homicide sets an ex-cop and his former partner on the hunt for an enigmatic killer in a gripping thriller by the author of Under Color of Law. When former detective Trevor “Finn” Finnegan became a PI, he adopted a new mandate: catch the LAPD’s worst in the act. While on surveillance in Venice Beach, Finn tails two potentially dirty cops: Detective Martin Riley and Finn’s ex-partner, Detective Sally Munoz. Things take a deadly turn when an unknown assailant executes Riley and wounds Munoz. In an instant, Finn goes from private eye to eyewitness. Munoz needs Finn to help find Riley’s killer, but doing so could blow his cover. She’s an officer shaded by rumors. Maybe she’s still a good cop―but maybe she’s not. Finn’s reluctance ends when his dear “uncle,” an ex-LAPD detective, is murdered, and it might be connected to Riley’s death. To prevent more bloodshed and avoid becoming the next targets on the killer’s list, Finn and Munoz will have to bury their complicated past, trust each other, and come face-to-face with painful secrets that could destroy them both.

“On every page there are little shimmering bombs. Like Room, where parenthood is at once your jail and your salvation, it is almost claustrophobic—but in the most glorious way.”—Lisa Taddeo, #1 New York Times bestselling author of Three Women and Animal A rising international literary star makes her American debut with this visceral, tender, and brave portrait of addiction, recovery, and motherhood, as harrowing and intense as Shuggie Bain. Sonya used to perform on stage. She used to attend glamorous parties, date handsome men, ride in fast cars. But somewhere along the way, the stage lights Sonya lived for dimmed for good. In their absence, came darkness—blackouts, empty cupboards, hazy nights she can’t remember. What keeps Sonya from losing herself completely is Tommy, her son. But her immense love for Tommy is in fierce conflict with her immense love of the bottle. Addiction amplifies her fear of losing her child; every maternal misstep compels her to drink. Tommy’s precious life is in her shaky hands. Eventually Sonya is forced to make a choice. Give up drinking or lose Tommy—forever. Bright Burning Things is an emotional tour-de-force—a devastating, nuanced, and ultimately hopeful look at an addict’s journey towards rehabilitation and redemption.

In a small Texas town, three women—Gillian, a former prom queen and furious juggler of her three children’s manic schedules; Lianna, a foul-mouthed East Coast banking super star; and Aimee, a woman capable of far more than her current life will allow—find their lives converging.

Gillian, reeling from the revelations her husband shared at a fundraiser she hosted just days ago, is suddenly grappling with what she has always believed about politics, family, and her own comfortable life—and aghast at some of the choices she’s made. Lianna is en route to close a deal and languishing in the August heat. Desperate to return to her beloved New York and a first-time visitor to rural Texas, she’s certain she has landed in one of the outer rings of hell. Aimee, though withering under the covert dysfunction and mental illness lurking in her family, still manages to shine in her low-level job and allows herself to dream of a life far away. When Gillian and Lianna stop at the same convenience store, they find themselves in an unthinkable situation. Aimee may be their only hope—if she can put the pieces together.

Under the guise of a starting-over story, this novel deals with subtle racism today, overt racism in the past, and soul-searching about what to do about it in everyday living. East of Troost’s fictional narrator has moved back to her childhood home in a neighborhood that is now mostly Black and vastly changed by an expressway that displaced hundreds of families. It is the area located east of Troost Avenue, an invisible barrier created in the early 1900s to keep the west side of Kansas City white, “safely” cordoned off from the Black families on the east side. When the narrator moves back to her old neighborhood in pursuit of a sense of home, she deals with crime, home repair, and skepticism—what is this middle-aged white woman doing here, living alone? Supported by a wise neighbor, a stalwart dog, and the local hardware store, we see her navigate her adult world while we get glimpses of author Ellen Barker’s real life there as a teenager in the sixties, when white families were fleeing and Black families moving in—and sometimes back out when met with hatred and violence. A regional story with universal themes, East of Troost goes to the basics of human behavior: compassion and cruelty, fear and courage, comedy and drama.

“Wise, funny, touching, wide-ranging, deep-delving; whip-smart dialogue and graceful, paced sentences, thousands upon thousands of them. Written by a novelist with the eye of a poet, and a poet with the narrative powers of a novelist, this is a book that needed to be written, that tells true things, and is entirely its own being.”—Robert Macfarlane, author of The Lost Words and Underland One of the most acclaimed and revered writers of her generation returns with her most ambitious novel yet—an elegant, multi-layered work, rich in imagination and exquisitely told, that interweaves a quartet of journeys across continents and centuries. As emotionally resonant as Kiran Desai’s The Inheritance of Loss, as inspired as Anthony Doerr’s Cloud Cuckoo Land, as inventive as Louisa Hall’s Speak, and as visionary as David Mitchell’s Cloud Atlas, Everything the Light Touches is Janice Pariat’s magnificent epic of travelers, of discovery, of time, of science, of human connection, and of the impermanent nature of the universe and life itself—a bold and brilliant saga that unfolds through the adventures and experiences of four intriguing characters. Shai is a young woman in modern India. Lost and drifting, she travels to her country’s Northeast and rediscovers, through her encounters with indigenous communities, ways of being that realign and renew her. Evelyn is a student of science in Edwardian England. Inspired by Goethe’s botanical writings, she leaves Cambridge on a quest to wander the sacred forests of the Lower Himalayas. Linnaeus, a botanist and taxonomist who famously declared “God creates; Linnaeus organizes,” sets off on an expedition to an unfamiliar world, the far reaches of Lapland in 1732. Goethe is a philosopher, writer, and one of the greatest minds of his age. While traveling through Italy in the 1780s, he formulates his ideas for “The Metamorphosis of Plants,” a little-known, revelatory text that challenges humankind’s propensity to reduce plants—and the world—into immutable parts. Drawn richly from scientific and botanical ideas, Everything the Light Touches is a swirl of ever-expanding themes: the contrasts between modern India and its colonial past, urban and rural life, capitalism and centuries-old traditions of generosity and gratitude, script and “song and stone.” Pulsating at its center is the dichotomy between different ways of seeing, those that fix and categorize and those that free and unify. Pariat questions the imposition of fixity—of our obsession to place permanence on plants, people, stories, knowledge, land—where there is only movement, fluidity, and constant transformation. “To be still,” says a character in the book, “is to be without life.” Everything the Light Touches brings together, with startling and playful novelty, people and places that seem, at first, removed from each other in time and place. Yet as it artfully reveals, all is resonance; all is connection.

Fifteen-year-old Hailey Rogers is sure her summer is ruined when her parents force her to spend a few days a week helping her grandmother, Gigi. Although she only lives across town, she never sees her grandmother and knows little about her. But Gigi is full of surprises—and family secrets. Throw in the gorgeous boy down the street, and Hailey’s ruined summer might just be the best of her life.

Then tragedy strikes, lies are uncovered, and Hailey’s life suddenly falls apart. After unearthing clues in an old letter written by her great-grandfather, she takes off on a road trip to solve the family mystery with the only person she can trust. In a forgotten Texas town, the past and the present collide—and Hailey is forced to choose what she truly values in life.

A darkly humorous debut novel that follows a cunning antihero as she gets her revenge

When I think about what I actually did, I feel somewhat sad that nobody will ever know about the complex operation that I undertook. Getting away with it is highly preferable, of course, but perhaps when I’m long gone, someone will open an old safe and find this confession. The public would reel. After all, almost nobody else in the world can possibly understand how someone, by the tender age of 28, can have calmly killed six members of her family. And then happily got on with the rest of her life, never to regret a thing.

When Grace Bernard discovers her absentee millionaire father has rejected her dying mother’s pleas for help, she vows revenge and coldly sets out to get her retribution—by killing them all, one by one. Compulsively readable, Bella Mackie’s debut novel is driven by a captivating first-person narrator who talks of “self-care” and social media while calmly walking the reader through her increasingly baroque acts of murder. But then, Grace is imprisoned for a murder she didn’t commit. Outrageously funny, compulsive, and subversive, How to Kill Your Family is a wickedly dark romp about class, family, love . . . and murder.

Set during the heroism and heartbreak of World War I, and in an occupied France in an alternative timeline, Sarah Adlakha’s Midnight on the Marne explores the responsibilities love lays on us and the rippling impact of our choices.

France, 1918. Nurse Marcelle Fournier has important secrets to keep. Her role as a spy has made her both feared and revered, but it has also put her in extreme danger from the approaching German army. American soldier George Mountcastle feels an instant connection to the young nurse. But in times of war, love must wait. Soon, George and his best friend Philip are fighting for their lives during the Second Battle of the Marne, where George prevents Philip from a daring act that might have won the battle at the cost of his own life. On the run from a victorious Germany, George and Marcelle begin a new life with Philip and Marcelle’s twin sister, Rosalie, in a brutally occupied France. Together, this self-made family navigates oppression, near starvation, and unfathomable loss, finding love and joy in unexpected moments. Years pass, and tragedy strikes, sending George on a course that could change the past and rewrite history. Playing with time is a tricky thing. If he chooses to alter history, he will surely change his own future―and perhaps not for the better.

“As lyrical as it is chilling, as astonishing as it is empathic, Our Missing Hearts arguably achieves literary perfection.”  —Booklist (starred review) From the number one bestselling author of Little Fires Everywhere, a deeply suspenseful and heartrending novel about the unbreakable love between a mother and child in a society consumed by fear Twelve-year-old Bird Gardner lives a quiet existence with his loving but broken father, a former linguist who now shelves books in a university library. Bird knows to not ask too many questions, stand out too much, or stray too far. For a decade, their lives have been governed by laws written to preserve “American culture” in the wake of years of economic instability and violence. To keep the peace and restore prosperity, the authorities are now allowed to relocate children of dissidents, especially those of Asian origin, and libraries have been forced to remove books seen as unpatriotic—including the work of Bird’s mother, Margaret, a Chinese American poet who left the family when he was nine years old. Bird has grown up disavowing his mother and her poems; he doesn’t know her work or what happened to her, and he knows he shouldn’t wonder. But when he receives a mysterious letter containing only a cryptic drawing, he is pulled into a quest to find her. His journey will take him back to the many folktales she poured into his head as a child, through the ranks of an underground network of librarians, into the lives of the children who have been taken, and finally to New York City, where a new act of defiance may be the beginning of much-needed change. Our Missing Hearts is an old story made new, of the ways supposedly civilized communities can ignore the most searing injustice. It’s a story about the power—and limitations—of art to create change, the lessons and legacies we pass on to our children, and how any of us can survive a broken world with our hearts intact.

For fans of Anthony Marra and Lauren Beukes, #1 New York Times bestselling author Veronica Roth tells the story of a woman’s desperate search for a missing girl after the collapse of the oppressive dystopian regime—and the dark secrets about her family and community she uncovers along the way. WHAT’S RIGHT IS RIGHT. Sonya Kantor knows this slogan—she lived by it for most of her life. For decades, everyone in the Seattle-Portland megalopolis lived under it, as well as constant surveillance in the form of the Insight, an ocular implant that tracked every word and every action, rewarding or punishing by a rigid moral code set forth by the Delegation. Then there was a revolution. The Delegation fell. Its most valuable members were locked in the Aperture, a prison on the outskirts of the city. And everyone else, now free from the Insight’s monitoring, went on with their lives. Sonya, former poster girl for the Delegation, has been imprisoned for ten years when an old enemy comes to her with a deal: find a missing girl who was stolen from her parents by the old regime, and earn her freedom. The path Sonya takes to find the child will lead her through an unfamiliar, crooked post-Delegation world where she finds herself digging deeper into the past—and her family’s dark secrets—than she ever wanted to. With razor sharp prose, Poster Girl is a haunting dystopian mystery that explores the expanding role of surveillance on society—an inescapable reality that we welcome all too easily.

A new heartfelt novel about the power of loneliness and the strength of love that overcomes it by critically acclaimed author Roselle Lim.

Newly minted professional matchmaker Sophie Go has returned to Toronto, her hometown, after spending three years in Shanghai. Her job is made quite difficult, however, when she is revealed as a fraud—she never actually graduated from matchmaking school. In a competitive market like Toronto, no one wants to take a chance on an inexperienced and unaccredited matchmaker, and soon Sophie becomes an outcast. In dire search of clients, Sophie stumbles upon a secret club within her condo complex: the Old Ducks, seven septuagenarian Chinese bachelors who never found love. Somehow, she convinces them to hire her, but her matchmaking skills are put to the test as she learns the depths of loneliness, heartbreak, and love by attempting to make the hardest matches of her life.

A family estate is to die for in a gripping novel of psychological suspense by the author of Into the Sound. Nothing brings the four Fox siblings together like their detestable father’s heart attack―and a hefty inheritance to be divided equally. At his deathbed is his oldest daughter, Valerie; her irresponsible sister, Lucy; and their two embattled brothers, Christian and Jeremy. Even the former housekeeper, Marian, who’s been with the family for forty years, is on watch. All Valerie hopes for is an amicable reunion, despite the damages of the past. By punishing means, Stefan Fox raised his children to be competitors. The cruel lessons now serve them well in a game of life and death. When it comes to the family fortune, the rules are simple: fewer siblings means a bigger share. After a suspicious accident, Valerie knows the worst is yet to come―and confiding in the wrong person could be the most dangerous thing she’s ever done.

Alice Daniels has a problem. Her reflection keeps misbehaving when she looks in the mirror—and the longer she ignores it, the harder it tries to get her attention. On her eighteenth birthday, she learns why: she is a huntress, someone gifted with the power to enter mirrors and the magical world that exists beyond. But with this power comes immense responsibility, for in the Mirror Realm lurks an evil that has infected the human race for centuries: demons. It is up to her and her three huntress sisters—with the help of one handsome and overbearing protector—to hunt and banish this evil one demon at a time, thereby keeping the chaos in check. But when an ancient god pays Alice a visit that turns deadly, it is clear the Mirror Realm is more than it seems, and she soon finds herself in a race against time to save the life—and soul—of the one man the gods are determined to never let her have.

The Last Huntress is a story of redemption and sacrifice, the bonds of true sisterhood, and the impossible, sometimes frightening, things we’ll do for love.

In her most powerful novel to date, New York Times bestselling author Ellen Marie Wiseman masterfully and viscerally evokes the real-life Willowbrook State School, the infamous Staten Island, New York, mental institution that shocked a nation when exposed in the 1970s as a dumping ground for unwanted children. Girl, Interrupted meets Shutter Island in this gripping narrative of social injustice, survival, and a young woman determined to find her sister. Sage Winters always knew her sister was a little different even though they were identical twins. They loved the same things and shared a deep understanding, but Rosemary—awake to every emotion, easily moved to joy or tears—seemed to need more protection from the world. Six years after Rosemary’s death from pneumonia, Sage, now sixteen, still misses her deeply. Their mother perished in a car crash, and Sage’s stepfather, Alan, resents being burdened by a responsibility he never wanted. Yet despite living as near strangers in their Staten Island apartment, Sage is stunned to discover that Alan has kept a shocking secret: Rosemary didn’t die. She was committed to Willowbrook State School and has lingered there until just a few days ago, when she went missing. Sage knows little about Willowbrook. It’s always been a place shrouded by rumor and mystery. A place local parents threaten to send misbehaving kids. With no idea what to expect, Sage secretly sets out for Willowbrook, determined to find Rosemary. What she learns, once she steps through its doors and is mistakenly believed to be her sister, will change her life in ways she never could have imagined . . .

“A breathtaking story of an extraordinary friendship and the transcendent power of a mother’s love. Molly Fader has penned an unforgettable novel that is sure to be one of the year’s best.” —Kristy Woodson Harvey, New York Times bestselling author of The Wedding Veil Two friends. A lifetime of secrets. One sparkling story. 1967 Iowa. Nursing school roommates BettyKay and Kitty don’t have much in common. A farmer’s daughter, BettyKay has risked her family’s disapproval to make her dreams come true away from her small rural town. Cosmopolitan Kitty has always relied on her beauty and smarts to get by and to hide a devastating secret from the past that she can’t seem to outrun. Yet the two share a determination to prove themselves in a changing world, forging an unlikely, powerful bond on a campus unkind to women. Before their first year is up, tragedy strikes, and the women’s paths are forced apart. But against all odds, a decades-long friendship forms, persevering through love, marriage, failure and death, from the jungles of Vietnam to the glamorous circles of Hollywood. Until one snowy night leads their relationship to the ultimate crossroads. Fifty years later, two estranged sisters are shocked when a famous movie star shows up at their mother’s funeral. Over one tumultuous weekend, the women must reckon with a dazzling truth about their family that will alter their lives forever…

A short story collection exploring cultural complexities in China, the Chinese diaspora in America, and the world at large. In a vibrant and illuminating follow-up to her award-winning story collection, Useful Phrases for Immigrants, May-lee Chai’s latest collection Tomorrow in Shanghai explores multicultural complexities through lenses of class, wealth, age, gender, and sexuality—always tracking the nuanced, knotty, and intricate exchanges of interpersonal and institutional power. These stories transport the reader, variously: to rural China, where a city doctor harvests organs to fund a wedding and a future for his family; on a vacation to France, where a white mother and her biracial daughter cannot escape their fraught relationship; inside the unexpected romance of two Chinese-American women living abroad in China; and finally, to a future Chinese colony on Mars, where an aging working-class woman lands a job as a nanny. Chai’s stories are essential reading for an increasingly globalized world.

In this dramatic coming-of-age novel we meet Fiona, an art student at a New Jersey college who is brilliant, beautiful, and struggling to find herself. Through her eyes we relive the turbulent culture of sex, drugs, and rock ’n roll, the first draft lottery since World War II, the Moratorium to End the War in Vietnam, the Kent State University shootings, and the harsh realities of war for Americans in their early twenties. Fiona’s best friend, Melissa, is in a dead-end relationship, pregnant, and going nowhere fast. After Melissa’s abortion, Fiona and Melissa spend a week in Florida, where they are introduced to tarot cards and the anti-war movement. Following this experience, Melissa becomes obsessed with the occult; Fiona, though intrigued, approaches the tarot cautiously, with the voice of her conservative Christian mother screaming in her head. After Fiona’s return from Florida, she begins dating Reuben―a journalism major and political activist. Reuben decides to move to Canada to avoid the draft and encourages Fiona to accompany him. But is that really what she wants? Caught between her feelings for Reuben and her own aspirations, Fiona struggles to define herself, her artistic career, and her future.

“This ghost story is a perfect example of new wave horror that will also satisfy fans of classic Stephen King.” ―Silvia Moreno-Garcia, author of The Daughter of Doctor Moreau and Mexican Gothic Erika T. Wurth’s White Horse is a gritty, vibrant debut novel about an Indigenous woman who must face her past when she discovers a bracelet haunted by her mother’s spirit. Some people are haunted in more ways than one… Kari James, Urban Native, is a fan of heavy metal, ripped jeans, Stephen King novels, and dive bars. She spends most of her time at her favorite spot in Denver, a bar called White Horse. There, she tries her best to ignore her past and the questions surrounding her mother who abandoned her when she was just two years old. But soon after her cousin Debby brings her a traditional bracelet that once belonged to Kari’s mother, Kari starts seeing disturbing visions of her mother and a mysterious creature. When the visions refuse to go away, Kari must uncover what really happened to her mother all those years ago. Her father, permanently disabled from a car crash, can’t help her. Her Auntie Squeaker seems to know something but isn’t eager to give it all up at once. Debby’s anxious to help, but her controlling husband keeps getting in the way. Kari’s journey toward a truth long denied by both her family and law enforcement forces her to confront her dysfunctional relationships, thoughts about a friend she lost in childhood, and her desire for the one thing she’s always wanted but could never have…

“Pitch-perfect…gives me all the feels, and I love every one of them!”—Ali Hazelwood, New York Times bestselling author of The Love Hypothesis   “Ashley makes favorite rom-com tropes feel new again with a pitch-perfect friends-to-lovers story.”  —Publishers Weekly starred review Would you rather play it safe in the friend zone, or risk it all with a modern marriage of convenience? Noah and Mia have always been best friends, and their friendship is the most important thing to them. Life is going great for Noah and he’s up for a promotion in a job he loves. But Mia’s life is on hold as she awaits a kidney transplant. She’s stuck in a dead-end job and, never wanting to be a burden, has sworn off all romance. So when the chance of a lifetime comes to go back to school and pursue her dream, it’s especially painful to pass up. She can’t quit her job or she’ll lose the medical insurance she so desperately needs. To support her, Noah suggests they get married—in name only—so she can study full-time and still keep the insurance. It’s a risk to both of them, with jobs, health and hearts on the line, and they’ll need to convince suspicious coworkers and nosy roommates that they’re the real deal. But if they can let go of all the baggage holding them back, they might realize that they would rather be together forever.