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As a little girl, Teressa’s father dotes on her and little sister, Karen, while mercilessly mocking her older sister, Debbie. Teressa thinks its Debbie’s fault―until she gets a little older and he begins tormenting her, too. Soon enough, his verbal abuse turns physical. Her sergeant father brings his military life home, meeting each of his daughters’ infractions with extreme punishment for them all. Meanwhile, their mother watches silently, never defending her daughters and never subjected to physical abuse herself. Terrified to be at home and terrified to tell anyone, Teressa seeks solace in books, music, and the family she can find outside of her home: a best friend, a kind neighbor, and a doting grandfather. At first cowed by her father’s abuse and desperate to believe that maybe, one day, things will change, Teressa ultimately grows into a young woman who understands that if she wants a better life, she’ll have to build it for herself―so she does.
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When her brother dies of AIDS and her husband dies of cancer in the same year, Rosemary is left on her own with two young daughters and antsy addiction demons dancing in her head. This is the nucleus of The Art of Losing It: a young mother jerking from emergency to emergency as the men in her life drop dead around her; a high-functioning radio show host waging war with her addictions while trying to raise her two little girls who just lost their daddy; and finally, a stint in rehab and sobriety that ushers in a fresh brand of chaos instead of the tranquility her family so desperately needs.
Heartrending but ultimately hopeful, The Art of Losing It is the story of a struggling mother who finds her way―slowly, painfully―from one side of grief and addiction to the other. -
Supermaker is a guide to business and career development by Jaime Schmidt: acclaimed entrepreneur, founder of Schmidt’s Naturals, and icon of the Maker Movement. In Supermaker, she shares how you too can start or grow your own business with advice on branding, product development, social media marketing, scaling, PR, and customer engagement, all based on her own hard-won mastery. In just seven years, Jaime Schmidt went from making natural products in her Portland, Oregon, kitchen to turning her brand into a household name and selling her company to Unilever—without sacrificing the integrity of her product or her creative vision.
- Readers learn how to get ahead on their own terms and while maintaining their commitment to fair and sustainable principles.
- A valuable resource to the ever-growing community of business owners and entrepreneurs who want to go from maker to magnate.
- Candid advice from an industry disruptor.
- A go-to guide for the passion-to-profit journey.
- The perfect read for aspiring entrepreneurs, makers, creatives, and anyone with an interest in natural products, selling your products online, retail strategy, and digital marketing.
- Great for anyone who enjoyed Start Something That Matters by Blake Mycoskie, Craft, Inc: Turn Your Creative Hobby into a Business by Meg Mateo Ilasco, and The Girls’ Guide to Starting Your Own Business: Candid Advice, Frank Talk, and True Stories for the Successful Entrepreneur by Caitlin Friedman.
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Rikki and her sister, Linda, fell out with one another four months ago. They are not speaking when Linda emails that she has lethal abdominal tumors, that her only hope of survival is a total bone marrow replacement. Linda claims Rikki is too old to donate, and explains there’s only a slight chance she is a good match anyway—but Rikki refuses to accept that. Despite the wounding between them, Linda’s email ignites a wild aspiration in her sister: she will become the perfect donor, the perfect match, with the healthiest, most vigorous cells possible. She rises with intent to heal herself, her sister, and their rootlines, the patterns formed in their family of origin that have quietly shaped their lives.
Rikki walks through the science while confronting dogma that limits how mind can transform body. She builds herself into a stem cell factory using Muay Thai kickboxing and vegetarian nutrition. Working through childhood wounds and mental limits with meditation and yoga, she finds her own power, as well as ways to show up for Linda and walk with her from the edge of death to a new life. Together, the two sisters beat the lymphoma—and, as they rediscover the intimacy and love of their innocent childhood, heal the intertwined roots of their family pain.
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At age forty, with two growing children and a new consulting company she’d recently founded, Gretchen Cherington, daughter of Pulitzer Prize–winning poet Richard Eberhart, faced a dilemma: Should she protect her parents’ well-crafted family myths while continuing to silence her own voice? Or was it time to challenge those myths and speak her truth―even the unbearable truth that her generous and kind father had sexually violated her? In this powerful memoir, aided by her father’s extensive archives at Dartmouth College and interviews with some of her father’s best friends, Cherington candidly and courageously retraces her past to make sense of her father and herself. From the women’s movement of the ’60s and the back-to-the-land movement of the ’70s to Cherington’s consulting work through three decades with powerful executives to her eventual decision to speak publicly in the formative months of #MeToo, Poetic License is one woman’s story of speaking truth in a world where, too often, men still call the shots.
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Four young children caught between love and hate—hostages to the cruelty of revenge. A deceitful American father and a naïve decision by a Filipino mother transformed their lives forever. Valorie, Veronica, Vance, and Vincent’s perfect world turned into a nightmare onehot afternoon in 1959 in Cebu, Philippines. What was to be a quick lunch with their father turned into a flight to America, where four dreadfully long years ofrunning from state to state, hiding, and vanishing into the nightfollowed.Kidnapped from the only world they knew, confusion quickly set in. At nine, Valorie, the eldest, liked seeing their father after his absence for over a year. Vance, a timid six–year–old, went along with whatever Valorie did. Vincent, the baby at three, cried for his mother while clinging to Veronica for comfort. Veronica, eight, was the only one who was truly panicked by what was happening around them—and she recognized instantly that she and her siblings would have to stick together in order to survive. In that moment, her childhood ended and the warrior within her emerged. Moving from state to state and school to school, avoiding the law, looking over their shoulders at every turn, the four Slaughter children found themselves fighting not only the heartbreak of separation from their loving mother but also poverty, discrimination, and abuse. Their only weapons were their deep love for one another and an unwavering determination to survive the trials they faced—and find their way back to their mother.
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As a horny little kid, Holly Lorka had no idea why God had put her in the wrong body and made her want to kiss girls. She had questions: Was she a monster? Would she ever be able to grow sideburns? And most importantly, where was her penis? The problem was, it was the 1970s, so there were no answers yet. Here, Lorka tells the story—by turns hilarious and poignant—of her romp through the first fifty years of her life searching for sex, love, acceptance, and answers to her questions. With a sharp wit, endearing innocence, and indelible sense of optimism, she struggles through the awkward years (spoiler: that’s all of them) and discovers that what she thought were mistakes are actually powerful tools to launch her into a magical—and ridiculous—life. Oh, and she discovers that she can buy a penis at the store, too.
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Linda Olson and her husband, Dave Hodgens, were young doctors whose story had all the makings of a fairy tale. But then, while they were vacationing in Germany, a train hit their van, shattering their lives—and Linda’s body. When Linda saw Dave for the first time after losing her right arm and both of her legs, she told him she would understand if he left. His response: “I didn’t marry your arms or your legs. If you can do it, I can do it.” In order to protect their loved ones, they decided to hide the truth about what really happened on those train tracks, and they kept their secret for thirty-five years. As a triple amputee, Linda learned to walk with prostheses and change diapers and insert IVs with one hand. She finished her residency while pregnant and living on her own. And she and Dave went on to pursue their dream careers, raise two children, and travel the world. Inspiring and deeply moving, Gone asks readers to find not only courage but also laughter in the unexpected challenges we all face. The day of the accident, no one envied Linda and Dave. Today, many do.
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In the vein of Roxane Gay’s Bad Feminist and Issa Rae’s The Misadventures of Awkward Black Girl, but wholly its own, a provocative, humorous, and, at times, heartbreaking collection of essays on what it means to be black, a woman, a mother, and a global citizen in today's ever-changing world. Black women have never been more visible or more publicly celebrated than they are now. But for every new milestone, every magazine cover, every box office record smashed, every new face elected to public office, the reality of everyday life for black women remains a complex, conflicted, contradiction-laden experience. An American journalist who has been living and working in London for a decade, Kenya Hunt has made a career of distilling moments, movements, and cultural moods into words. Her work takes the difficult and the indefinable and makes it accessible; it is razor sharp cultural observation threaded through evocative and relatable stories. Girl Gurl Grrrl both illuminates our current cultural moment and transcends it. Hunt captures the zeitgeist while also creating a timeless celebration of womanhood, of blackness, and the possibilities they both contain. She blends the popular and the personal, the frivolous and the momentous in a collection that truly reflects what it is to be living and thriving as a black woman today.