Shelley Blanton-Stroud grew up in California’s Central Valley, the daughter of Dust Bowl immigrants who made good on their ambition to get out of the field and into the city. She taught college writing for three decades and consults with writers in the energy industry. She codirects Stories on Stage Sacramento, where actors perform the stories of established and emerging authors, and she serves on the advisory board of 916 Ink, an arts-based creative writing nonprofit for children. She has also served on the Writers’ Advisory Board for the Belize Writers Conference. Tomboy is the second book in her Jane Benjamin series. Her debut novel, Copy Boy, was the first. Shelley and her husband live in Sacramento with an aging beagle and many photos of their out-of-state sons.

about TOMBOY

It’s 1939. On the brink of World War II, Jane Benjamin wants to have it all. By day she hustles as a scruffy, tomboy cub reporter. By night she secretly struggles to raise her toddler sister, Elsie, and protect her from their mother. But Jane’s got a plan: she’ll become the San Francisco Prospect’s first gossip columnist and make enough money to care for Elsie.

Jane finagles her way to the women’s championship at Wimbledon, starring her hometown’s tennis phenom and cover girl Tommie O’Rourke. She plans to write her first column there. But then she witnesses Edith “Coach” Carlson, Tommie’s closest companion, drop dead in the stands of apparent heart attack, and her plan is thrown off track.

While sailing home on the RMS Queen Mary, Jane veers between competing instincts: Should she write a social bombshell column, personally damaging her new friend Tommie’s persona and career? Or should she work to uncover the truth of Coach’s death, which she now knows was a murder, and its connection to a larger conspiracy involving US participation in the coming war?

Putting away her menswear and donning first-class ballgowns, Jane discovers what upper-class status hides, protects, and destroys. Ultimately—like nations around the globe in 1939—she must choose what she’ll give up in order to do what’s right.