Linda Dahl is the award-winning author of seven previous books of both fiction and non-fiction. She writes about challenging personalities and difficult issues, reflecting her interests in the arts and addiction and recovery. She has two children and lots of animals and lives in an old farmhouse in upstate New York, where she serves with several organizations that work to educate young people about and help them recover from drug use dependency.

When Lidia, a blocked Latinx artist in her sixties, goes on a group tour of Namyan, a fictional Southeast Asian country reopened to the world after a long dictatorship, she gets much more than the vacation she thinks she’s signed on for. Against a backdrop of pagodas and enigmatic customs, she and the disparate crew of eighteen Americans on the tour encounter one adventure after another—experiences that challenge their assumptions about their host country’s placid surface of beautiful pagodas and wandering Buddhist monks. Along the way, Lidia finds companionship and sexual pleasure with Haynes, a Black man seeking adventure—even danger—in Namyan. On a nighttime excursion among mysterious ancient buildings, they watch the nighttime sky. Lidia remarks that the stars look upside down – a metaphor for Namyan as a foreign place and for her. She enjoys being with Haynes but is conflicted. The final chapter reveals a secret, the source of her conflict, and her steps towards a new freedom.

An Upside-Down Sky’s cast of characters, including their Namyanese guide, mirrors America: straight, gay, gender-fluid, black, brown, white, progressive, conservative, artistic, repressed, old, young. Some of them accept Nanyam’s charming façade at face value, while others seek to understand the country’s brutal repression by the military and ongoing ethnic conflicts. And most, resistant as they might be to change, are transformed by their time there.

John and Erica Mason-Grey are hard-working artists and loving parents—but when John dies, their teenage daughter Mona’s casual drug use spirals into heroin addiction. She and her mother soon begin an anguished game of hide-and-seek leading to countless arguments, arrests, thefts, rehabs, and relapse, a recurring nightmare that seems to have no end. Ultimately, it’s only when each of them finds a way to accept their new reality—Mona by taking charge of her own recovery, and Erica by focusing on her own vitality—that each experiences the unexpected joy and renewal that await those who decide to stop living in the bad dream of addiction. Unflinching about the ways the disease of addiction can torpedo a family yet leavened with dollops of humor, The Bad Dream Notebook will resonate with anyone who has lived through the agony of a loved one’s drug dependency.